About

The Author & the Man
at the Heart of the Story

David Mardirosian

David Mardirosian

The Author

David Mardirosian

David Mardirosian is a small business owner originally from Boston and now based in Rhode Island. Chasing Cézanne is his debut novel, inspired by the extraordinary true story of his father, Boston attorney Robert Mardirosian, whose involvement in a decades-long art mystery was featured in Town & Country (June/July 2011).

For many years his father hoped to tell his own story, but after serving seven years in federal prison and later succumbing to dementia, he never had the chance. After his passing, David undertook the project of bringing this story to life through fiction — exploring the moral conflict, transformation, and secrets that shaped his life.

Genre
Upmarket Literary Thriller
Based In
Rhode Island
Set In
Stockbridge, MA · Watertown, MA · Marash, Turkey · Iran · Saint-Paul-de-Vence, France · Geneva, Switzerland
Subject
Robert M. Mardirosian (1934–2022)

Robert M. Mardirosian

1934 – 2022

Robert M. Mardirosian was born on April 25, 1934, in Watertown, Massachusetts, to Zari and Dave Mardirosian. He grew up in a close-knit Armenian-American household where heritage was felt more than spoken — in the food, in the stories, in the particular pride of a family that had made something from nothing in a new country.

He was, from the beginning, a man of unusual gifts. He won a full scholarship to Calvin Coolidge College by demonstrating his memory to the dean — reciting back a hundred objects in sequence without hesitation, a skill he had trained himself to master as a teenager. He went on to Portia Law School, graduating cum laude, third in his class, in the spring of 1963. He passed the Massachusetts bar exam that November. What followed was not a career — it was a force of nature.

He served more than 2,000 clients across the Superior Courts of Suffolk, Essex, and Middlesex Counties, and briefly as Assistant District Attorney of Middlesex County under D.A. John J. Droney. He was known for his memory, his nerve, and his ability to read a room — gifts that made him a formidable presence in any courtroom.

He was also, in another part of himself entirely, an artist. He painted and sculpted across six decades, signing everything with a single name: Romard. His work ranged from intimate watercolors and charcoal drawings to monumental figurative canvases — bold, emotional, alive with color and cultural memory. He taught himself to play the oud. He could spend an afternoon in the South of France as easily as he could spend one in a Suffolk County courtroom, and he was equally at home in both.

He married Madeleine Marie Seferian — a woman of quiet certainty, Armenian to her core, who stood beside him through everything and outlasted it all. Her father, Avedis Seferian, was born in Marash, Turkey, where he attended medical school in Constantinople on scholarship before being drafted into the Ottoman army. He survived the Armenian Genocide — through cunning, through kinship, through sheer refusal — and returned to Marash in 1920 to organize armed resistance, drawing on his military training to help women and children escape. Avedis carried all of that history without bitterness, and passed it to those around him as a source of identity, pride, and quiet steel. He shaped Bob more than Bob ever fully admitted.

Bob's closest friend was Levon — Leo — who arrived in Watertown from Iran as a young man and became, within weeks, inseparable from Bob. Leo was tall, measured, magnetic. Bob once said he looked like Gregory Peck. He became a civil engineer, married, had two daughters and a son, and eventually returned to Iran — where he died too young, in a world that had already changed beyond recognition. But the years they shared in Watertown, and everything that followed, left a mark on Bob that never fully lifted. He loved his family and his Armenian heritage, and had a particular fondness for rosé wine and long afternoons in the South of France — where, drawing on a remarkable memory, Bob had quickly become fluent in both French and Italian.

He died on April 1, 2022. He was 87 years old.

Robert Mardirosian playing the oud
Robert playing the oud — a lifelong devotion
Ceramic bowl inscribed by Romard to David
"For Dave… Some great Salads. Love Dad" — a bowl he made and inscribed for his son
Robert and Madeleine Mardirosian
Robert and Madeleine Mardirosian
Robert and Madeleine at a formal event
Robert and Madeleine in later years

The Root of Everything

Armenian by Blood,
American by Ambition

The Seferian story — Madeleine's side — begins not in Boston but in Marash, a city in what is now southern Turkey, once home to one of the great Armenian communities of the Near East. In 1915, that world was destroyed. The Ottoman government's systematic extermination of the Armenian people — what history now recognizes as the Armenian Genocide — killed an estimated 1.5 million men, women, and children. Marash did not escape. Families were torn apart, driven into the Syrian desert, and massacred. Those who survived did so through courage, luck, and the help of strangers. It is a story of survival, immigration, and what it means to rebuild a life from almost nothing. Madeleine's parents, Avedis and Margaret Seferian, were born there — and carried that history with them to America.

Armenian family portrait
An Armenian family portrait — relatives, names unknown
Central School, Marash
Central School, Marash, Turkey — where Avedis Seferian attended school as a young man
Avedis and Margaret Seferian — wedding day, 1920s
Avedis and Margaret Seferian — wedding day, 1920s
Author David Mardirosian with grandfather Avedis Seferian and sister Andrea
Author David Mardirosian with grandfather Avedis Seferian and sister Andrea

The Other Life

Romard —
The Artist

Robert Mardirosian painted and sculpted under the name Romard for decades. The work ranged from intimate watercolors to monumental oil canvases — figurative, expressionist, alive with color and Armenian cultural memory.

He was photographed for newspaper features. His sculptures were exhibited. And all the while, he maintained his law practice — two identities, one man.

It is this duality — the defender of law who was also consumed by beauty — that makes his story impossible to reduce to a simple verdict.

See His Artwork
Romard's large blue figurative painting Romard watercolor of musicians

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